• INTRODUCTION
    • 2022 UN-WAR EXHIBITION
    • 2021 Venice Biennale + 2022 Nuance and Intimacy in the Civic Space
    • 2021 Linee Occulte: Drawing Architecture
    • 2019 Pedagogies of Risk and Control
    • 2019 Architecture between Environmental Change and Planning Resiliency
    • 2018 Studio Prize
    • 2018 ACSA Paper, Healing the City: Elemental Constructions
    • 2018 Shelter from the Storm
    • 2015 Open City: An Existential Approach
    • 2014 Lebbeus Woods: A Celebration
    • 2012 Fortnight Journal – Edition 3
    • 2008 Architects Draw: Freehand Fundamentals
    • 2007 Catálogos de Arquitectura
    • 2005 Balkan Urbanismus
    • Resume
    • 2016-2021 Coming Soon!
    • 2015
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    • 2013
    • 2012
    • 2011
    • 2010
    • 2009
    • 2008
    • 2007
    • 2006
    • 2005
    • SKYLIGHTS AND WINDOWS
    • DOORS
    • STAIRS
    • WALLS
    • COLUMNS
  • Blog
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Mersiha Veledar

  • INTRODUCTION
  • NOTABLE PUBLICATIONS & EVENTS
    • 2022 UN-WAR EXHIBITION
    • 2021 Venice Biennale + 2022 Nuance and Intimacy in the Civic Space
    • 2021 Linee Occulte: Drawing Architecture
    • 2019 Pedagogies of Risk and Control
    • 2019 Architecture between Environmental Change and Planning Resiliency
    • 2018 Studio Prize
    • 2018 ACSA Paper, Healing the City: Elemental Constructions
    • 2018 Shelter from the Storm
    • 2015 Open City: An Existential Approach
    • 2014 Lebbeus Woods: A Celebration
    • 2012 Fortnight Journal – Edition 3
    • 2008 Architects Draw: Freehand Fundamentals
    • 2007 Catálogos de Arquitectura
    • 2005 Balkan Urbanismus
  • COVER LETTER & WORK
    • Resume
  • Teaching
    • 2016-2021 Coming Soon!
    • 2015
    • 2014
    • 2013
    • 2012
    • 2011
    • 2010
    • 2009
    • 2008
    • 2007
    • 2006
    • 2005
  • ELEMENTS RESEARCH
    • SKYLIGHTS AND WINDOWS
    • DOORS
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    • WALLS
    • COLUMNS
  • Blog

LEBBEUS WOODS: A CELEBRATION

Tributes and Reminiscences | 6:30PM Friday 25 April

Panels and Film Screening | 10:00AM - 5:00PM Saturday 26 April

TRIBUTES AND REMINISCENCES 

 DRAWING | 10:00 am – 11:00 am

Joseph Becker, Assistant Curator of Architecture and Design, San Francisco Museum of Modern Art 

George Ranalli, Dean, The Bernard and Anne Spitzer School of Architecture 

City College of New York 

Michael Webb, Professor, The Irwin S. Chanin School of Architecture of The Cooper Union 

James Wines, Professor James Wines, Pennsylvania State University

College of Arts and Architecture 

Moderated by Brett Littman, Executive Director, The Drawing Center

 

IMAGINARY | 11:10 am – 12:10 pm

M. Christine Boyer, Professor, Princeton University School of Architecture 

Vyjayanthi Rao, Ph.D., Assistant Professor of Anthropology, The New School for Social Research 

Yehuda Safran, Professor, Graduate School of Architecture, Planning and Preservation, Columbia University 

Neil Denari, Principal, Neil M. Denari Architects Inc.

Moderated by Sotirios Kotoulas, President, Sotirios Corp

 

STUDIO | 1:00 pm – 2:00 pm

Sir Peter Cook, Professor, The Bartlett School of Architecture

James Lowder, Assistant Professor, The Irwin S. Chanin School of Architecture of The Cooper Union 

Miodrag Mitrasinovic, Associate Professor of Urbanism and Architecture, Parsons The New School for Design 

Alexis Rochas, Professor, Southern California Institute of Architecture 

Mersiha Veledar, Assistant Professor, The Irwin S. Chanin School of Architecture of The Cooper Union

Moderated by Diane Lewis, Professor, The Irwin S. Chanin School of Architecture of The Cooper Union

 

POLITICS | 2:10 pm – 3:10 pm

Carin Kuoni, Director, Vera List Center for Art and Politics, The New School for Public Engagement

Sanford Kwinter, Professor of Architectural Theory and Criticism, Harvard Graduate School of Design 

Shannon Mattern, Professor, The New School for Public Engagement 

Neil Spiller, Professor of Architecture and Digital Theory, University of Greenwich 

 

FILM SCREENING | 3:30 pm – 4:30 pm

 

All shown imagery for independent work projects are property of Mersiha Veledar and are protected under the United States and International Copyright laws.

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