• INTRODUCTION
    • 2022 UN-WAR EXHIBITION
    • 2021 Venice Biennale + 2022 Nuance and Intimacy in the Civic Space
    • 2021 Linee Occulte: Drawing Architecture
    • 2019 Pedagogies of Risk and Control
    • 2019 Architecture between Environmental Change and Planning Resiliency
    • 2018 Studio Prize
    • 2018 ACSA Paper, Healing the City: Elemental Constructions
    • 2018 Shelter from the Storm
    • 2015 Open City: An Existential Approach
    • 2014 Lebbeus Woods: A Celebration
    • 2012 Fortnight Journal – Edition 3
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    • 2005 Balkan Urbanismus
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Mersiha Veledar

  • INTRODUCTION
  • NOTABLE PUBLICATIONS & EVENTS
    • 2022 UN-WAR EXHIBITION
    • 2021 Venice Biennale + 2022 Nuance and Intimacy in the Civic Space
    • 2021 Linee Occulte: Drawing Architecture
    • 2019 Pedagogies of Risk and Control
    • 2019 Architecture between Environmental Change and Planning Resiliency
    • 2018 Studio Prize
    • 2018 ACSA Paper, Healing the City: Elemental Constructions
    • 2018 Shelter from the Storm
    • 2015 Open City: An Existential Approach
    • 2014 Lebbeus Woods: A Celebration
    • 2012 Fortnight Journal – Edition 3
    • 2008 Architects Draw: Freehand Fundamentals
    • 2007 Catálogos de Arquitectura
    • 2005 Balkan Urbanismus
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Fortnight Journal – Edition 3, Mersiha Veledar Video-Stories on path of Survival from a War Torn Country

 

Fortnight is an unprecedented online documentary of the millennial generation spanning the years 2010-2012, during which time installments were published daily.  Using the boundless qualities of the Internet, Fortnight featured innovators from disciplines as varied as art, science, technology, economics and policy to compose a digital portrait of the first generation—born roughly between 1978 and 1990—raised on and by the Internet.

In 2010, The New York Times published a story on the Millennials’ “failure to launch.”  But where The Times saw Millennials as slouching toward adulthood, Fortnight saw a generation redefining success on their own terms.  The Times suggested that Millennials are still children, but Fortnight believed they are the children of connectivity.  Democratized access has produced a demographic naturally fluent in interactive expression, making Millennials naturally prone to pushing creative and intellectual boundaries. 
 
Fortnight is a living exhibition of the achievements of 58 extraordinary Millennials that relies on a variety of multimedia platforms to offer readers a window into their lives and disciplines.  Each entry in the Fortnight library boasts a uniquely singular glimpse into the life and work of the Fortnightist.

Press to Read Two Autobiographical Stories


 

All shown imagery for independent work projects are property of Mersiha Veledar and are protected under the United States and International Copyright laws.

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